4/28/2023 0 Comments Angry giant cartoonBut careful readers of Wilde’s diverse canon of poetry, prose, and drama will know of his critical looks at solipsism and superficiality. Wilde was ridiculed for the many of the same reasons he was feted-his flamboyant public persona and devotion to aestheticism, which satirists caricatured as a kind of decadent navel-gazing. In all important matters, style, not sincerity, is the essential.” Wilde expressed the ideas in several well-known epigrams, such as the wryly redundant, “In all unimportant matters, style, not sincerity, is the essential. Aesthetes such as Wilde sought to elevate good taste and the pursuit of beauty alone as a guiding principle of art and life. Wilde traveled the UK and the United States (as portrayed by Stephen Fry here) as a representative of the popular philosophy of “aestheticism,” an urbane nineteenth-century movement against Victorian prudery and the dry moral calculus of utilitarianism and its associations with industrial culture. Long before Oscar Wilde became a literary celebrity for his most famous work-The Picture of Dorian Gray and plays like Salome and The Importance of Being Earnest-he was a bit of a reality star. It seems somehow appropriate that the dreamlike narrative has been transmuted into a form and language unknown to Kafka. In 2007 the award-winning Japanese animator Koji Yamamura made a 21-minute film (see above) which captures some of the strangeness and beauty of Kafka’s story. “A Country Doctor” is permeated with the qualities John Updike found so compelling in Kafka: “a sensation of anxiety and shame whose center cannot be located and therefore cannot be placated a sense of an infinite difficulty within things, impeding every step a sensitivity acute beyond usefulness, as if the nervous system, flayed of its old hide of social usage and religious belief, must record every touch as pain.” His horse, worn out by the winter, has just died and his servant girl is going door to door pleading for help. “I was in great perplexity,” says the narrator, an old doctor, as he sets out in a blizzard at night on an urgent but vague mission. Written in Prague during the icy winter of 1916-1917, Kafka’s story unfolds in one long paragraph like a fevered nightmare. Here’s a good story for a cold December night: Franz Kafka’s cryptic, hallucinatory tale of “A Country Doctor.” This way, sometimes I think it is too much suffering, to destroy all the time what I am doing." I must destroy every frame to put in its place another one, the next one, to have movement. "I think sometimes when I do a drawing in my film, I want to keep it," he told Melissa Chimovitz of Animation World Network in 1997, "but I must destroy it because this is the technique I use. It's a process that sometimes makes Dumala sad. It's a form of "destructive animation." Each image exists only long enough to be photographed and then painted over to create a sense of movement. To add darkness to a light area, he adds more paint with a brush. He uses a knife and sandpaper to engrave his image, creating a hatching effect that gives it a feeling of texture. He then paints over it with a dark color and lets it dry. He has a unique method: He takes a white plaster panel and coats the surface with glue. In the end Svidrigailov takes a pistol and "goes to America" by killing himself.ĭumala completed his half-hour film of Crime and Punishment (Zbrodnia i Kara) in 2000, after three years of work. The sinister eavesdropper Svidrigailov knows of Raskolnikov's love for Sonya, and of his sins. He confesses to a saintly young woman named Sonya. When her younger sister comes home unexpectedly, he murders her too. He murders an old woman with whom he had pawned his watch. The complex and multi-layered novel is pared down to a few central characters and events: In the Russian city of Saint Petersburg, a young man named Raskolnikov lies in his dark room brooding over a bloody crime. The story is told expressionistically, without dialogue and with an altered flow of time. "It is as if someone has read Crime and Punishment and then had a dream about it."ĭumala's version takes place only at night. "My film is like a dream," Dumala said in 2007. In this darkly poetic animation, the Polish filmmaker Piotr Dumala offers a highly personal interpretation of Fyodor Dostoyevsky's classic novel, Crime and Punishment.
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